Look Development

Lighting Scenarios

Negative Exposure

Finishing Pipeline

Authoring bespoke show LUTs and contrast curves in pre-production. Testing optical flares, filtration, and sensor response to match the script's visual atmosphere.

Drafting precise floor schematics and practical illumination strategies. Prioritising natural bounce and large soft sources to maintain naturalistic skin tones.

Rigorous on-set density calibration whether rolling Kodak 500T 35mm celluloid or running dual base ISO sensors under demanding practical limits.

Supervising final conform, high dynamic range trims, and photochemical print passes alongside senior colourists to lock definitive contrast and grain.

Industry recognition

24

Official festival selections

6

Cinematography jury prizes

18 yrs

DGA & IATSE 600 standing

40+

Commercial spots delivered

Production references

Executes complex night exterior setups with remarkable pace. The lighting package stayed lean while the dailies looked like thirty-five millimetre master prints.

Marcus Vance, Line Producer (Paramount Network)

Brought immense visual authority to our commercial slate. An instinct for framing character that immediately anchored every board we pitched.

Elena Rostova, Executive Creative Director (BBDO)

Total set discipline. Even under tight festival schedule constraints, every camera movement felt intentional, restrained, and deeply cinematic.

David Cho, Showrunner (Sundance Lab Fellow)

Currently accepting narrative feature commissions and commercial directing slates for the upcoming calendar year.